Sunday 8 May 2011

Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy”

 Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy” Modernity at Large: Cultural Dimensions of Globalisation. Minneapolis: University of Minnesota Press (1996): 27-47. Print.

Arjun Appadurai in this text examines cultural flow and its method of transmission. There are two pages that I find especially interesting, that focus on “nostalgia without memory” (Appadurai, 30), a concept I find very interesting. Appadurai talks about the nostalgia inherent in American society, that is then passed on to other cultures, the Philippines for example, the “mega-technologies of the twenty-first century garbed in the film-noir scenarios of sixties’ chills, fifties’ diners, forties’ clothing, thirties’ houses, twenties’ dances, and so on ad infinitum.” (Appadurai, 30) creating a present that also exists in the past. This idea that memory makes time flexible is very interesting to me, recently I read an article by Jason Skeet that examined how Giles Deleuze and Virginia Woolf dealt with time, especially in relation to cinema. Deleuze hypothesised that our crystalline conception of time is actually mobile that “the past is constituted at the same time as the present, with memory existing virtually alongside this present. Singular moments (or haecceities) in the past may continue into the present, growing and accumulating new layers of possibility and meaning” (Skeet, Jason. “Woolf plus Deleuze: Cinema, Literature and Time TravelRhizomes.16.2 (2008):13. Print.) this idea is fascinating, the idea that time is flexible, dependent on our needs and recollections, that we can in fact change the past through our memories. Appadurai addresses similar issues of time and memory, but with the flow or culture being the controlling element, “if your present is their future, and their future is your past, then your past can be made to appear as simply a normalized modality of your present” (Appadurai, 31). The idea that time and memory are dependent is curious, similar to the question of ‘if a tree falls in the forest and no one is around to hear, does it make a noise?’ in relation to time I believe this can be true, if no one remembers us did we ever exist? Or does it matter whether we did? Man is obsessed with immortality, and as true immortality is impossible we are obsessed with leaving a mark that we will be remembered by.  Deleuze quotes Fellini in saying “we are constructed in memory” (Skeet, 11) tying into the concept that we exist simply because we are remembered, and not because we existed, that are actions, and others memories of them are in fact more important than ourselves.

4 comments:

  1. I found your blog insightful to read. You have proposed some really great questions, ie: "if no one remembers us did we ever exist?". Just note, there aren a few mistakes with your referencing. see below for quick referencing tools.
    http://www.cite.auckland.ac.nz/

    ReplyDelete
  2. I found it interesting that you said 'time is flexible, dependent on our needs and recollections, that we can in fact change the past through our memories' so true yet so hard to comprehend. We tend to think of time as fixed and objective yet, it is far from it. Your discussion reminded me of the psychologist Elizabeth Loftus who did research into the construction of false memories and found that memories can relatively easily be planted and manipulated - scary!

    ReplyDelete
  3. i find stuff like that really interesting! in part probably because it is so disturbing how easily manipulated we are.

    ReplyDelete
  4. Don Binney spoke at the Auckland City Art Gallery this past weekend. He spoke passionately (wouldn't be Don if it lacked passion) of how he could return to his studio with his Fern bird painting 'Sun shall not burn Thee by day nor moon by night', pick up his palette knife and be transported immediately back to that moment in 1966 with all of it's associated memory. He spoke of those who have paved the way before us, his oneness with Philip Clarmont in the wilderness on the day of reading of his death. Don's acknowledgment of the passage of time as an intrinsic part of Our current works came as a timely reminder that we need not race ahead, we are better to live with passion and fullness in today's moment lest we miss our opportunity to shift tomorrow's history.

    ReplyDelete